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Perceptual Structure of Three-Dimensional Art
Englisch
193 b
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This book deals with philosophical aspects regarding the perception of spatial relationships in two and three-dimensional art. It provides a structural understanding of how art is perceived within the space created by the artwork, and employs a mapping sentence mereology to model perceptual structure. It reviews the writing of philosophers such as Susanna Siegel and art theorists such as Krauss to establish the need for this research, and uses the shortcomings in the interpretations of the perceptual process put forward by Krauss, Siegel and others to help formulate a more comprehensive philosophical account. The book uniquely combines structuralist and post-structuralist approaches to artistic perception and understanding with a conceptual structure from facet theory, which is clarified with the help of a mapping sentence mereology.
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